Steady Diet of Film blog

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If you think this post is too long, consider the fact that 3,287 films were submitted this year.  Sundance runs from January 18th to 28th in in four fabulous Utah locations.  Ho-Rep weighs in here.

Dramatic Competition:

ADRIFT IN MANHATTAN (Director: Alfredo de Villa; Screenwriters: Nat Moss, Alfredo de Villa) -- Set in New York City, a grieving eye doctor is forced to take a closer look at her life; an aging artist confronts the loss of his eyesight, and a young photographer battles his innermost demons. World premiere.

BROKEN ENGLISH (Director and Screenwriter: Zoe Cassavetes) -- A young woman in her thirties finds herself surrounded by friends who are married, in relationships or with children. She unexpectedly meets a quirky Frenchman who opens her eyes to a lot more than love. World premiere.

FOUR SHEETS TO THE WIND (Director and Screenwriter: Sterlin Harjo) -- Cufe Smallhill finds his father dead. Fulfilling a dying wish, he disposes of the body in the family pond and sets off to begin a new life in the big city of Tulsa. World premiere.

THE GOOD LIFE (Director and Screenwriter: Steve Berra) -- A story about a "mostly normal" young man whose small town existence running a faded movie palace is shaken when he comes in contact with a mysterious young woman. World premiere.

GRACE IS GONE (Director and Screenwriter: James C. Strouse) -- A young father learns that his wife has been killed in Iraq and must find the courage to tell his two young daughters the news. World premiere.

JOSHUA (Director: George Ratliff; Screenwriters: David Gilbert, George Ratliff) -- A successful, young Manhattan family is torn apart by the machinations of Joshua, their eight-year-old prodigy, when his newborn baby sister comes home from the hospital. World premiere.

NEVER FOREVER (Director and Screenwriter: Gina Kim) -- When an American woman and her Asian-American husband discover they are unable to conceive, she begins a clandestine relationship with an attractive stranger in a desperate attempt to save her marriage. World premiere.

ON THE ROAD WITH JUDAS (Director and Screenwriter: JJ Lask) -- Reality, fiction and the notions of storytelling intertwine in this narrative about a young thief and the woman he loves. World premiere.

PADRE NUESTRO (Director and Screenwriter: Christopher Zalla) -- Fleeing a criminal past, Juan hops a truck transporting illegal immigrants from Mexico to New York City, where he meets Pedro, who is seeking his rich father. World premiere.

THE POOL (Director: Chris Smith; Screenwriters: Chris Smith, Randy Russell) -- A boy working in a hotel becomes obsessed with a swimming pool at a home in the opulent hills of Panjim, Goa in India. His life gets turned upside-down when he attempts to meet the mysterious family that arrives at the house. World premiere.

ROCKET SCIENCE (Director and Screenwriter: Jeffrey Blitz) -- A 15-year-old boy from New Jersey with a stuttering problem falls in love with the star of the debate team and finds himself suddenly immersed in the ultra-competitive world of debating. World premiere.

SNOW ANGELS (Director: David Gordon Green; Screenwriter: Stewart O'Nan) -- A drama that interweaves the life of a teenager with his former baby-sitter, her estranged husband, and their daughter. World premiere.

STARTING OUT IN THE EVENING (Director: Andrew Wagner; Screenwriters: Andrew Wagner, Fred Parnes) -- The solitary life of a writer is shaken when a smart, ambitious graduate student convinces him that her thesis will bring him back into the literary spotlight. World premiere.

TEETH (Director and Screenwriter: Mitchell Lichtenstein) -- Still a stranger to her own body, a high school student discovers she has a "physical advantage" when she becomes the object of male violence. World premiere.

THE UNTITLED DAKOTA FANNING PROJECT (Director and Screenwriter: Deborah Kampmeier) -- Set in late 1950s Alabama, a precocious, troubled girl finds her angel in the Blues. World premiere.

WEAPONS (Director and Screenwriter: Adam Bhala Lough) -- WEAPONS presents a series of brutal, seemingly random youth-related killings over the course of a weekend in a typical working class American suburb, and tragically reveals how they are all interrelated. World premiere.

Documentary Competition:

BANISHED (Director: Marco Williams) -- This story of three U.S. towns which, in the early 20th century, forced their entire African American populations to leave, explores what -- if anything -- can be done to repair past racial injustice. World premiere.

CRAZY LOVE (Director: Dan Klores) -- An unsettling true story about an obsessive relationship between a married man and a beautiful, single 20-year-old woman, which began in 1957 and continues today. World premiere.

EVERYTHING'S COOL (Directors: Judith Helfand, Daniel B. Gold) -- A group of self-appointed global warming messengers are on a high stakes quest to find the iconic image, proper language, and points of leverage to help the public go from embracing the urgency of the problem to creating the political will necessary to move to an alternative energy economy. World premiere.

FOR THE BIBLE TELLS ME SO (Director: Daniel Karslake) -- Grounded by the stories of five conservative Christian families, the film explores how the religious right has used its interpretation of the Bible to support its agenda of stigmatizing the gay community and eroding the separation between church and state. World premiere.

GHOSTS OF ABU GHRAIB (Director: Rory Kennedy) -- This inside look at the abuses that occurred at the infamous Iraqi prison in the fall of 2003 uses direct, personal narratives of perpetrators, witnesses, and victims to probe the effects of the abuses on all involved. World premiere.

GIRL 27 (Director: David Stenn) -- When underage dancer Patricia Douglas is raped at a wild MGM stag party in 1937, she makes headlines and legal history, and then disappears. GIRL 27 follows author-screenwriter David Stenn as he investigates one of Hollywood's most notorious scandals. World premiere.

HEAR AND NOW (Director: Irene Taylor Brodsky) -- Filmmaker Irene Taylor Brodsky tells a deeply personal story about her deaf parents, and their radical decision -- after 65 years of silence -- to undergo cochlear implant surgery, a complex procedure that could give them the ability to hear. World premiere.

MANDA BALA (SEND A BULLET) (Director: Jason Kohn) -- In Brazil, known as one of the world's most corrupt and violent countries, MANDA BALA follows a politician who uses a frog farm to steal billions of dollars, a wealthy businessman who spends a small fortune bulletproofing his cars, and a plastic surgeon who reconstructs the ears of mutilated kidnapping victims. World premiere.

MY KID COULD PAINT THAT (Director: Amir Bar-Lev) -- A 4-year-old girl whose paintings are compared to Kandinsky, Pollock and even Picasso, has sold $300,000 dollars worth of paintings. Is she a genius of abstract expressionism, a tiny charlatan, or an exploited child whose parents have sold her out for the glare of the media and the lure of the almighty dollar? World premiere.

NANKING (Director: Bill Guttentag, Dan Sturman) -- A powerful and haunting depiction of the atrocities suffered by the Chinese at the hands of the invading Japanese army during "The Rape of Nanking", one of the most tragic events of WWII. While more than 200,000 Chinese were murdered and ten of thousands raped, a handful of Westerners performed extraordinary acts of heroism, saving over 250,000 lives in the midst of the horror. World premiere.

NO END IN SIGHT (Director: Charles Ferguson) -- A comprehensive examination of the Bush Administration's conduct of the Iraq war and occupation. Featuring first-time interviews with key participants, the film creates a startlingly clear reconstruction of key decisions that led to the current state of affairs in this war-torn country. World premiere.

PROTAGONIST (Director: Jessica Yu) -- PROTAGONIST explores the organic relationship between human life and Euripidean dramatic structure by weaving together the stories of four men -- a German terrorist, a bank robber, an "ex-gay" evangelist, and a martial arts student. World premiere.

RULERS OF THE GALAXY (Director: Lincoln Ruchti) -- Twin Galaxies Arcade, Iowa, 1982: the birthplace of mankind's obsession with video games. The fate of this world lies in the hands (literally) of a few unlikely heroes: They are the Original Video Game World Champions and the arcade is their battleground. World premiere.

WAR DANCE (Director: Sean Fine, Andrea Nix Fine) -- Devastated by the long civil war in Uganda, three young girls and their school in the Patongo refugee camp find hope as they make a historic journey to compete in their country's national music and dance festival. World premiere.

WHITE LIGHT/BLACK RAIN: THE DESTRUCTION OF HIROSHIMA AND NAGASAKI (Director: Steven Okazaki) -- WHITE LIGHT/BLACK RAIN offers a visceral, topical and moving portrait of the human cost of atomic warfare. World premiere.

ZOO (Director: Robinson Devor) -- A humanizing look at the life and bizarre death of a seemingly normal Seattle family man who met his untimely end after an unusual encounter with a horse. World premiere.

World Cinema Dramatic Competition:

BLAME IT ON FIDEL (LA FAUTE A FIDEL) France (Director and Screenwriter: Julie Gavras) -- A 9- year-old girl weathers big changes in her household as her parents become radical political activists in 1970-71 Paris. North American premiere.

DRAINED (O CHEIRO DO RALO) Brazil (Director: Heitor Dhalia; Screenwriters: Marcal Aquino, Heitor Dhalia) -- A pawn shop proprietor buys used goods from desperate locals -- as much to play perverse power games as for his own livelihood, but when the perfect rump and a backed-up toilet enter his life, he loses all control. North American premiere.

DRIVING WITH MY WIFE'S LOVER (ANE-EUI AEIN-EUL MANNADA) South Korea (Director: Kim Tai-sik; Screenwriters: Kim Jeon-han, Kim Tai-sik) -- When a mild-mannered South Korean man decides to track down the cab driver having an affair with his wife, a strange bond develops between the pair during a long-distance drive. North American premiere.

EAGLE VS. SHARK, New Zealand (Director and Screenwriter: Taika Waititi) -- The tale of two socially awkward misfits and the strange ways they try to find love. World premiere.

EZRA, France (Director: Newton I. Aduaka; Screenwriters: Newton I. Aduaka, Alain-Michel Blanc) -- A young ex-child soldier in Sierra Leone attempts to return to a normal life after the civil war which devastated his country. World premiere.

GHOSTS, U.K. (Director: Nick Broomfield; Screenwriters: Nick Broomfield, Jez Lewis) -- Based on a true story, GHOSTS is the tragic account of an illegal Chinese immigrant woman as she struggles relentlessly for a better life in the U.K. North American premiere.

HOW IS YOUR FISH TODAY? (JIN TIAN DE YU ZEN ME YANG?), U.K. (Director: Xiaolu Guo; Screenwriter: Rao Hui, Xiaolu Guo) -- Blurring boundaries between reality and fiction, HOW IS YOUR FISH TODAY? traces a Chinese writer's inner journey through his fictional characters. North American premiere.

HOW SHE MOVE, Canada (Director: Ian Iqbal Rashid; Screenwriter: Annmarie Morais) -- Following her sister's death from drug addiction, a high school student is forced to leave her private school to return to her old, crime-filled neighborhood where she re-kindles an unlikely passion for the competitive world of "Step" dancing. World premiere.

THE ISLAND (OSTROV), Russia (Director: Pavel Lounguine; Screenwriter: Dmitri Sobolev) -- Somewhere in Northern Russia in a small Russian Orthodox monastery lives an unusual man whose bizarre conduct confuses his fellow monks, while others who visit the island believe that the man has the power to heal, exorcise demons and foretell the future. U.S. premiere.

KHADAK, Belgium, Germany (Directors and Screenwriters: Peter Brosens and Jessica Woodworth) -- Set in the frozen steppes of Mongolia, KHADAK tells the epic story of Bagi, a young nomad confronted with his destiny after animals fall victim to a plague which threatens to eradicate nomadism. U.S. premiere.

L' HERITAGE, Georgia, France (Directors and Screenwriters: Gela Babluani, Temur Babluani) -- Three French hipsters and their translator travel through rural Georgia to claim a remote, ruined castle that one of them has inherited. En route, they encounter an old man and his grandchild who are on a journey to carry out a mysterious, morbid ritual designed to end a conflict between warring clans. North American premiere.

THE NIGHT BUFFALO (EL BUFALO DE LA NOCHE), Mexico (Director: Jorge Hernandez Aldana; Screenwriters: Jorge Hernandez Aldana, Guillermo Arriaga) -- A 22-year-old schizophrenic commits suicide after his girlfriend cheats on him with his best friend. Before killing himself, he lays out a plan that will drive the lovers into an abyss of madness. World premiere.

NOISE, Australia (Director and Screenwriter: Matthew Saville) -- A young cop, beset with doubt and afflicted with tinnitus (ear-ringing), is pitched into the chaos that follows a mass murder on a suburban train. He struggles to clear the screaming in his head while the surrounding community deals with the after effects of the terrible crime. World premiere.

ONCE, Ireland (Director and Screenwriter: John Carney) -- ONCE is a modern-day musical set on the streets of Dublin. Featuring Glen Hansard and his Irish band "The Frames," ONCE tells the story of a busker and an immigrant during an eventful week as they write, rehearse and record songs that reveal their unique love story. North American premiere.

REVES DE POUSSIERE, Burkina Faso, Canada, France (Director and Screenwriter: Laurent Salgues) -- A Nigerian peasant comes looking for work in Essakane, a dusty gold mine in Northeast Burkina Faso, where he hopes to forget the past that haunts him. North American premiere.

SWEET MUD (ADAMA MESHUGAAT), Israel (Director and Screenwriter: Dror Shaul) -- On a kibbutz in southern Israel in the 1970's, Dvir Avni realizes that his mother is mentally ill. In this closed community, bound by rigid rules, Dvir must navigate between the kibbutz motto of equality and the stinging reality that his mother has, in effect, been abandoned by the community. U.S. premiere.

World Cinema Documentary Competition:

ACIDENTE, Brazil (Director: Cao Guimaraes and Pablo Lobato) -- Experimental in form, this lush cinematic poem weaves together stories and images from twenty different cities in the state of Menas Gerais, Brazil, to reveal the fundamental role the accidental and the unpredictable play in everyday human life. North American premiere.

BAJO JUAREZ, THE CITY DEVOURING ITS DAUGHTERS, Mexico (Director: Alejandra Sanchez) -- In an industrial town in Mexico near the US border, hundreds of women have been sexually abused and murdered. As the body count continues to rise, a web of corruption unfolds that reaches the highest levels of Mexican society. U.S. premiere.

COCALERO, Bolivia (Director: Alejandro Landes) -- Set against the backdrop of the Bolivian government's attempted eradication of the coca crop and oppression of the indigenous groups that cultivate it and the American war on drugs, an Aymara Indian named Evo Morales travels through the Andes and the Amazon in jeans and sneakers, leading a historic campaign to become the first indigenous president of Bolivia. World premiere.

COMRADES IN DREAMS, Germany (Director: Uli Gaulke) -- From the far ends of the globe, four lives that could not be more different are united by a single passion -- their unconditional love of cinema and their quest to bring the magic of the silver screen to everyday lives to those who need it most. North American premiere.

CROSSING THE LINE, U.K. (Director: Daniel Gordon) -- CROSSING THE LINE reveals the clandestine life of Joseph Dresnok who, at the height of the Cold War was one of the few Americans who defected to North Korea, one of the least understood countries in the world. North American premiere.

ENEMIES OF HAPPINESS (VORES LYKKES FJENDER) / Denmark (Director: Eva Mulvad and Anja Al Erhayem) -- Malalai Joya, a 28-year-old Afghani woman, redefines the role of women and elected officials in her county with her historic 2005 victory in Afghanistan's first democratic parliamentary election in over 30 years. North American premiere.

THE FUTURE IS UNWRITTEN, Ireland, U.K. ( Director: Julien Temple) -- An invitation from Joe Strummer, the Punk Rock Warlord himself, to journey beyond the myth to the heart and voice of a generation. His life, our times, his music. World premiere.

HOT HOUSE, Israel (Director: Shimon Dotan) -- At once chilling and humanizing, HOT HOUSE provides an unprecedented look at how Israeli prisons have become the breeding ground for the next generation of Palestinian leaders as well as the birth place of future terrorist threats. North American premiere.

IN THE SHADOW OF THE MOON, U.K. (Director: David Sington) -- One of the defining passages of American history, the Apollo Space Program literally brought the aspirations of a nation to another world. Awe-inspiring footage and candid interviews with the astronauts who visited the moon provide an unparalleled perspective on the precious state of our planet. World premiere.

MANUFACTURED LANDSCAPES, Canada (Director: Jennifer Baichwal) -- This stunningly visual work provides the unique perspective of photographer Edward Burtynsky, who chronicles the transforming landscape of the world due to industrial work and manufacturing. U.S. premiere.

THE MONASTERY: MR. VIG AND THE NUN, Denmark (Director: Pernille Rose Gronkjaer) -- Worlds collide, tempers flare and dreams are realized when Mr. Vig, an 82-year-old virgin from Denmark and Sister Ambrosija, a headstrong Russian nun, join forces to transform Mr. Vig's run-down castle into an Orthodox Russian monastery. North American premiere.

ON A TIGHTROPE, Norway, Canada (Director: Petr Lom) -- The daily lives of four children living in an orphanage who are learning the ancient art of tightrope walking becomes a metaphor for the struggle of the Uighur's, China's largest Muslim minority, who are torn between religion and the teachings of communism. North American premiere.

THREE COMRADES (DRIE KAMERADEN), Netherlands (Director: Masha Novikova) -- In this intimate film we witness the lives of three lifelong friends who's worlds are torn apart by war in Chechnya's bloody struggle for independence. North American premiere.

A VERY BRITISH GANGSTER, U.K. (Director: Donal MacIntyre) -- Given his many contradictions, Dominic Noonan, head of one of Britain's biggest crime families, is a man who defies stereotypes. This close up look at his life, from gun trials to the murder of his brother on the streets of Manchester, reveals a community struggling with poverty, violence and drugs. World premiere.

VHS -- KAHLOUCHA, Tunisia (Director: Nejib Belkadhi) -- In a poor district of Tunisia, self-made auteur, Moncef Kahloucha, a guerilla filmmaker in the purest sense, demonstrates that it takes a village to make fun movies as he brings the power of cinema to the people. North American premiere.

WELCOME EUROPA, France (Director: Bruno Ulmer) -- Kurdish, Moroccan and Romanian young men migrate to Europe for a better life only to face the harsh realities and the laws of survival on the streets of a foreign land. North American premiere.

The ISA ceremony is always a gooey, lovey good time.  And we get to see everyone in "casual elegant" the day before the Oscars.  Airing dates follow after the list of nominations:

BEST FEATURE (Award given to the Producer)
American Gun
Producer: Ted Kroeber

The Dead Girl
Producers: Tom Rosenberg, Henry Winterstern, Gary Lucchesi, Richard Wright, Eric Karten, Kevin Turen

Half Nelson
Producers: Jamie Patricof, Alex Orlovsky, Lynette Howell, Anna Boden, Rosanne Korenberg

Little Miss Sunshine
Producers: Marc Turtletaub, David T. Friendly, Peter Saraf, Albert Berger, Ron Yerxa

Pan's Labyrinth
Producers: Bertha Navarro, Alfonso Cuaron, Frida Torresblanco, Alvaro Augustin, Guillermo del Toro

BEST FIRST FEATURE (Award given to the director and producer)
Day Night Day Night
Director: Julia Loktev
Producers: Julia Loktev, Melanie Judd, Jessica Levin

Man Push Cart
Director: Ramin Bahrani
Producers: Ramin Bahrani, Pradip Ghosh, Bedford T. Bentley III

The Motel
Director: Michael Kang
Producers: Matthew Greenfield, Miguel Arteta, Gina Kwon, Karin Chien

Sweet Land
Director: Ali Selim
Producers: Alan Cumming, James Bigham, Ali Selim

Wristcutters: A Love Story
Director: Goran Dukic
Producers: Adam Sherman, Chris Coen, Tatiana Kelly, Mikal P. Lazarev

BEST DIRECTOR
Robert Altman - A Prairie Home Companion
Jonathan Dayton & Valerie Faris - Little Miss Sunshine
Ryan Fleck - Half Nelson
Karen Moncrieff - The Dead Girl
Steven Soderbergh - Bubble

JOHN CASSAVETES AWARD
(Given to the best feature made for under $500,000; award given to the writer, director, and producer)

Chalk
Director: Mike Akel
Producers: Mike Akel, Angela Alvarez, Graham Davidson, Chris Mass
Writers: Chris Mass & Mike Akel

Four Eyed Monsters
Writer/Director/Producers: Arin Crumley & Susan Buice

Old Joy
Director: Kelly Reichardt
Producers: Lars Knudsen, Jay Van Hoy, Anish Savjani, Neil Kopp
Writers: Jon Raymond & Kelly Reichardt

Quinceanera
Writer/Directors: Richard Glatzer & Wash Westmoreland
Producer: Anne Clements

Twelve and Holding
Director: Michael Cuesta
Producers: Leslie Urdang, Michael Cuesta, Brian Bell, Jenny Schweitzer
Writer: Anthony S. Cipriano

BEST SCREENPLAY
Neil Burger - The Illusionist
Nicole Holofcener - Friends with Money
Ron Nyswaner - The Painted Veil
Jason Reitman - Thank You For Smoking
Jeff Stanzler - Sorry, Haters

BEST FIRST SCREENPLAY
Michael Arndt - Little Miss Sunshine
Anna Boden & Ryan Fleck - Half Nelson
Goran Dukic - Wristcutters: A Love Story
Dito Montiel - A Guide to Recognizing Your Saints
Gabrielle Zevin - Conversations with Other Women

BEST FEMALE LEAD
Shareeka Epps - Half Nelson
Catherine O'Hara - For Your Consideration
Elizabeth Reaser - Sweet Land
Michelle Williams - Land of Plenty
Robin Wright Penn - Sorry, Haters

BEST MALE LEAD
Aaron Eckhart - Thank You For Smoking
Ryan Gosling - Half Nelson
Edward Norton - The Painted Veil
Ahmad Razvi Man - Push Cart
Forest Whitaker - American Gun

BEST SUPPORTING FEMALE
Melonie Diaz - A Guide to Recognizing Your Saints
Marcia Gay Harden - American Gun
Mary Beth Hurt - The Dead Girl
Frances McDormand - Friends with Money
Amber Tamblyn - Stephanie Daley

BEST SUPPORTING MALE
Alan Arkin - Little Miss Sunshine
Raymond J. Barry - Steel City
Daniel Craig - Infamous
Paul Dano - Little Miss Sunshine
Channing Tatum - A Guide to Recognizing Your Saints

BEST CINEMATOGRAPHY
Arin Crumley - Four Eyed Monsters
Anthony Dod Mantle - Brothers of the Head
Guillermo Navarro - Pan's Labyrinth
Aaron Platt - Wild Tigers I Have Known
Michael Simmonds - Man Push Cart

BEST DOCUMENTARY (Award given to the director)
A Lion in the House
Directors: Steven Bognar & Julia Reichert

My Country, My Country
Director: Laura Poitras

The Road to Guantanamo
Directors: Michael Winterbottom and Mat Whitecross

The Trials of Darryl Hunt
Directors: Annie Sundberg and Ricki Stern

You're Gonna Miss Me
Director: Keven McAlester

BEST FOREIGN FILM (Award given to the director)
12:08 East of Bucharest
Director: Corneliu Porumboiu
(Romania)

The Blossoming of Maximo Oliveros
Director: Auraeus Solito
(Philippines)

Chronicle of an Escape
Director: Israel Adrian Caetano
(Argentina)

Days of Glory
Director: Rachid Bouchareb
(France/Morocco/Algeria/Belgium)

The Lives of Others
Director: Florian Henckel von
(Germany) Donnersmarck

**The 2007 Spirit Awards ceremony airs live on Saturday, February 24, beginning at 5:00 p.m. EST on IFC (Independent Film Channel). Live red carpet footage will precede the show starting at 4:30 p.m. EST on WE tv, with an edited re-broadcast of the ceremony airing later that evening on AMC at 10:00 p.m. EST/PST. As previously announced, Sarah Silverman will serve as Master of Ceremonies for a second time.

• Robert Altman nominated for an Independent Spirit Award for Prarie Home Companion.  Read Stephanie Zackarek's obituary here and Cinematical's tribute here.
  

• Errol Morris is working on a new doc called SOP about the Abu Ghraib prison scandal.  Participant Films pines: "so long as Bush's approval ratings stay low, everyone gets rich".

• David Cronenberg teams up again with Viggo Mortenson as well as Naomi Watts and screenwriter Steven Knight (Dirty Pretty Things) for Eastern Promises,  which explores London's Russian mob community.
  

• Guillermo del Toro said of his most recent film Pan's Labyrnth (out December 29th) "I felt if I did my third film in a row within the studio system I would die."  See the trailer here and read London Times article about del Toro here.
  

  + Everyone talks smack about Bobby (which I thoroughly enjoyed), but the real loser this week is Let's Go to Prison.  Once again, everyone wins except the cast of Arrested Development.

Five clips from the new Korean monster movie The Host have been 'leaked' on the internets. The film will be released in the States on January 26th by Magnolia Pictures... I'm thinking Homer Simpson from the most recent Treehouse of Horror could star in the inevitable American remake.

Reverse Shot has paid loving tribute to the memory of Brian De Palma's not lame work. 

He was among the generation of American filmmakers to arrive in the wake of auteurism’s emergence as the validating lens of choice for film as art, and his flourishing, film-literate, genre-happy preoccupations (for an auteur is nothing without his preoccupations) were well-suited for its first wave—when the implications of auteurism were solidly in play for both filmmaker and critic. Such self-regard was never afforded the directors whose careers gave rise to the notion, whose bodies of work only retrospectively yielded the (to borrow, reluctantly, from Pauline Kael’s arsenal) botanical pleasures of patterns, obsessions, and harnessed stubbornness; the “I can’t help being me” masculinity of just doing it, of making great art unawares—or unobserved or unrecognized. Whether lack of recognition was real or mythological, filmmaking, particularly of the popular sort, had yet to receive full validation as art.

A moment of silence.

AdJab tries to explain this incredibly creepy ad campaign being run by M&M's.  It's a game that shows the user a large oil painting that looks like some kind of RPG+LSD disaster.  You click on bits of the scene and guess what "dark movie" the image is based on.  There are a total of 50, I got one: Pumpkinhead.  This is the best screengrab I could get since your mouse movements wildly zoom the picture in and around.  You know what else isn't funny, M&M's?  CHILD SLAVERY.     

Geeksite Drivl.com has compiled a list of Top 20 Hackers in Film History.  I admire this kind of the dedication it must take to find 20 "cool, funny and sexy computer geeks".
  

The trailer for David Fincher's Zodiac is up.  First off, SCARY!  Secondly, yay SF!  Thirdly, how on earth does a movie starring Jake Gyllenhaal, Robert Downey Jr., Mark Ruffalo, Chloe Sevigny and Brian Cox still have Anthony Edwards getting top billing?  

Mario van Peebles substitute hosted for Roger Ebert last week while Ebert recovers from a recent surgery.  During the 'Thumbs Up Video' segment Van Peebles plugged the Media Education Foundation's Peace, Propaganda and the Promised Land.  A bold choice considering the film is not available on dvd but a great one nevertheless.  Don't fret though, due to MEF's hippy commie pinko liberal generous interpretations of copyright laws you can watch the whole thing on YouTube in two pieces.

NPR recently profiled the astonishing Indigenes, a new French film that explores the contributions Algerian troops made to the defense of France during World War 2 (it can be summed up as: cannon fodder).  Which has now grossed more than $16M in France and inspired President Chirac to add $128M to non-French veteran pension funds. 

The film will be distributed in the States as Days of Glory by the Weinstein Company.  Which unfortuantely now means only your creepy stepdad who loves fullscreen dvds and hates Kate Winslet's breasts will be able to rent it.  For you see the Weinstein Co. has recently signed an exclusive agreement with Blockbuster to carry their home rentals.   Does this mean I have to catch Bobby and Factory Girl in the theaters?  Because trust me, I won't. 

Oscar-winner Sofia Coppola is rumored to be working on bringing the Victorian lesbian romance novel Tipping the Velvet to the big screen.  And you'll never guess who she's considering for the lead roles:

Beyonce Knowles and Eva Longoria will play lesbian lovers in a new movie. ... Eva, 31, said: "Yes it's true. We are talking about doing the movie together. It's such a wonderful novel, a beautiful love story."

Update: DENIED.

Diane English is set to direct an update of the Women with Anne Hathaway, Candice Bergen, Lisa Kudrow and Meg Ryan already attached.  Shooting starts March 2007.  I wait with baited breath.

Michael Madsen recently discussed some possibilities of Quentin Tarantino reprising the Vega brothers characters:

Tarantino first mentioned the possibility of a Vega Brothers film in 2004. The picture would be a prequel to both Reservoir Dogs AND Pulp Fiction and star John Travolta and Michael Madsen, reprising their roles as two ostensibly related main characters who died by the ends of their respective films.

As Travolta and Madsen got older and fatter, though, the idea of them playing younger versions of the characters became increasingly implausible. You'd have thought that that would kill the project, but Michael Madsen has shared Tarantino's magic solution to the problem of aging.

"Well, first he said he would do it, then he said he wasn’t going to do it. Then he called me and said, ‘You know, I’ve figured out a way to do it. It can’t be a prequel because you and John don’t look the same. It wouldn’t make sense as a sequel because you’re both dead.’ And he gave me an idea that would be really outrageous – that John and I would be the twin brothers of Vic and Vincent. We come from Amsterdam to LA to avenge the deaths of our brothers. I think that’s pretty interesting. For me, I’d love to do it."

Lindsay+Book!

Lost Tennessee Williams play discovered, immediately snatched up by Lindsay Lohan!:

Lindsay Lohan will take the lead in The Loss of a Teardrop Diamond, an indie film based on a long-lost Tennessee Williams screenplay.

According to The Hollywood Reporter, the film has also rounded up Oscar nominee David Strathairn, Oscar nominee Ann-Margret, Oscar winner Ellen Burstyn and Chris Evans, whose name has never been mentioned in tandem with Oscar.

The film focuses on a 1920s Memphis debutante named Fisher Willow (Lohan) who falls in love with a young man (Evans) from the wrong side of the tracks and tries to pass him off as a wealthy suitor. When she loses a diamond, everything comes crashing down in the most melodramatic way possible. That last part is just our hunch.

And in other odd Lohan news, could Lindsay's coke habit be burning through her wealth so quickly she's working with a straight-to-video director on a third rate sexploitation film? :

Lohan plays Aubrey, the young daughter of affluent parents who is abducted and mutilated by a sadistic serial killer. She manages to escape, sans a hand and a leg and lots of blood. The girl who regains consciousness in the hospital claims to be not Aubrey but Dakota, identical to Aubrey, but with a much different demeanor. Dakota struggles to convince anyone that she is not Aubrey and finds herself in a desperate race to save Aubrey's life and her own against overwhelming odds.

HBO's documentary Hacking Democracy is available (probably for a very short while) on Google Video.

I know a lot of people won't care about this because there was relatively few cases of voter "irregularities" in yesterday's elections (amen).  But seriously people, 2008 is just around the corner.  Educate your fear!